Tsai, Addie. “Hybrid Texts, Assembled Bodies: Michel Gondry’s Merging of Camera and Dancer in ‘Let Forever Be’”. The International Journal of Screendance 6 (May 12, 2016). Accessed April 30, 2026. https://www.osu.tests.sfulib4.publicknowledgeproject.org/index.php/screendance/article/view/4892.