If I can’t dance, it’s not my revolution!: Tracing the Revolutions of Maya Deren’s Dance in Jane Campion’s In the Cut

Abstract

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This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press. It is made available here with the kind permission of Parallel Press.