Clampitt, D. (2020) “Commentary on Gilad Rabinovitch’s ‘Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode.’”, Empirical Musicology Review, 14(3-4), pp. 135–137. Available at: https://www.osu.tests.sfulib4.publicknowledgeproject.org/index.php/EMR/article/view/7571 (Accessed: 29 April 2026).