Commentary on Gilad Rabinovitch's "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode."

David Clampitt

Commentary on Gilad Rabinovitch's "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode."

Authors

David Clampitt Ohio State University

Keywords:

Galant schemata, scale theory

Abstract

This is a commentary accompanying Rabinovitch (2019), situating the research within some previous work on scale theory.

Empirical Musicology Review Volume 14 Nos. 3-4 2019

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Published

2020-07-06

How to Cite

Clampitt, D. (2020). Commentary on Gilad Rabinovitch’s "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode.". Empirical Musicology Review, 14(3-4), 135–137. Retrieved from https://www.osu.tests.sfulib4.publicknowledgeproject.org/index.php/EMR/article/view/7571